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Monday, August 26, 2013

The Painting Process: The Kennedy Center

After finishing a 12"x36" nighttime scene of the Kennedy Center in Washington, DC,  I realized that I cataloged a few pictures of it from start to finish, so I thought I would walk you through the process from start to finish in the next few shots.


First, I start with the base, which in this case was blue.  Call it a Shark Week inspiration, but this nighttime scene really captivated me when I saw a picture of it, so I figured I would give it a shot!  Note the two different colors, lighter up top and darker below.  The spot where the color changes is the horizon line, and everything above represents the sky, and everything below is the base for the buildings and water.  The reason for this area being darker is that reflection on water always appears darker than what it is actually reflecting.


Mid-process, putting in the base layer of lights, and beginning to fill in with more detail.  You can see here that besides the Kennedy Center building itself, there are few highlights and no detail in the buildings.  This is just basically to fill in the location of the buildings and the lights, and once this is dry, the detail can be added.  Note there is no reflection in the water yet or foliage in the foreground.  


Finished product!  You can see now that there is more detail in the buildings, and last but not least, the reflection of the water.  In addition, I added highlights to the lights, making them more colorful and brighter, especially in the traffic blur in the lower left hand corner.  Voila!

I hope you are having a wonderful Monday and that you enjoyed the process from start to finish!  See you next Monday!

Monday, August 19, 2013

Free Shipping August!


For the month of August, receive free shipping on the Surfin' Bird prints!  You can get it through my website, and it comes in two sizes, 11"x14" or 22"x28".  As always, these prints are standard frame sizes, making it easy to buy and fit into a pre-made frame at your local arts and crafts store.  This makes a perfect birthday or Christmas gift for those of you who like to get shopping done early, so make sure to pick one up! 

Monday, August 12, 2013

New Paintings!

Sunrise over the Tidal Basin, 12"x36", oil on canvas

I have to admit, my hand is starting to hurt, as I jumped from one painting into another very quickly.  I am glad I did, though, as it's always fun to feel productive, and for me, one of the best ways to feel productive is to finish a painting (and, of course, the laundry!).  I remember when I first started painting full time, I told myself I would finish paintings really quickly because I had all of this uninterrupted time.  Ha!  I quickly came to learn that being a full-time artist comes with a lot of work on the side, which has very little to do with putting brush strokes on a canvas.  The business side is a great excuse to take a break and rest your hand, but at the same time, I never knew how much time you could actually spend being an artist not painting.

Now that aside, I am really happy to have completed two paintings recently that I can share with you. It's not that the latest pieces were finished in record time or anything, but it has been a little bit of time since I shared paintings on the blog and I'm happy to say I have more than one to share!  The first is a snowy Capitol scene, which is a 20"x20" oil on canvas below.  I was inspired by the beautiful curvature of the sidewalk and the serenity of the freshly fallen snow.  I love painting DC as you might not normally see it, especially in tranquil settings like the one for this painting.  

After the Snow, oil on canvas, 20"x20"

Next, I just finished (read: still wet!) a scene of a sunrise over the Tidal Basin, overlooking the Jefferson and all the beauty of the cherry blossoms, which is at the top of this post.  It is a 12"x36", and while this one is obviously very different in dimension than the snowy scene above, it was similar in that it was a different size to try out and I really loved it!  Again, I was really inspired by the peaceful view, as the sun peeks over the horizon but before the hustle and bustle of the day begins.

Next up on the easel, a view of the Kennedy Center at dusk.  Praying for lots of productivity!

Hope you have a SPLENDID week!



Monday, August 5, 2013

Coming Up! ValeArts Show October 4th-6th


Photo Courtesy of ValeArts Member Diana Eichler

While it's been in the works for some time, I am excited to officially announce that I am going to be a guest artist at the ValeArts Fall Show!  This is a really exciting opportunity and I can't wait to hang my art next to these ten incredibly talented women (as well as guest artist Carie Cole!) that make up the ValeArts group.

So for those of you not familiar, ValeArts is a group of artists who meet and put on shows in the Vale Schoolhouse, a one bedroom building built in 1888 at the corner of Vale and Fox Mill Road in Oakton, Virginia.  The group formed in 1996 and has been putting on shows ever since, one in the Spring and one in the Fall.

For every show, they invite a couple of guest artists to join them, and I was invited to show alongside them this Fall.  Super exciting, right?!

While the show goes on for three days, there is a show opening on Friday, October 4th from 7-9 p.m.  See all the details below!

Photo Courtesy of ValeArts.com

Where: Vale Schoolhouse 
3124 Fox Mill Road, Oakton, Virginia 
(Corner of Fox Mill Road and Vale Road)
When:  October 4th, 5th, & 6th
Hours:  Friday, October 4th: 10 a.m. - 9 p.m.
Saturday, October 5th & Sunday, October 6th: 10 a.m. - 6 p.m.
Opening Reception: Friday, October 4th, 7 p.m. - 9 p.m. - Food & Drinks Provided!


I really hope to see you there, and in the meantime, if you would like to learn more about ValeArts, click here!

Until next week, hope you have lots of sunshine and warm weather!


Monday, July 29, 2013

Sunset at the Capitol

Sunset at the Capitol, 20"x20" oil on canvas

I guess at this point it's pretty safe to say that I have unintentionally found myself working on a study of the Capitol, as this will be at least my fourth painting of this majestic building.  Besides all the architectural detail, I love how different it looks in each season and time of day.  The palette (read: colors) ends up being so different each time and the visual and emotional impact ends up being unique as well.

Going off of the painting above, now that we are in the thick of summer (yay!), how beautiful are the sunsets right now?!?  I am always looking for beautiful skies to paint, so what better way to find it than to look outside the window?  My mom always jokes when the sky is really beautiful that if it were painted it would look fake.  That's why I say that God paints skies prettier than anyone else! :-)


Here is a picture of the sunset a few days ago.  It was a really hot day and the clouds were just gorgeous.

So taking a turn from summertime sunsets, I am finishing up my last Capitol painting (for now!), which is currently on the easel.  This time, though, I'm going back to snow!  Two Capitol's back to back, and then we'll see where to next!  Stay tuned!




Monday, July 22, 2013

A "Hot Letter" to My Canvas

Image Credit:  Gary Larson

I sit here, not on a Monday, my newly minted posting day, but on a Thursday, writing for my Monday post because I, like the artist above in Gary Larson's hilarious cartoon, am struggling with a brief bout of artist's block.  I guess you could say it's similar to writer's block, or in the corporate world, the 3 p.m. lunch hangover.  You know what I'm talking about...lunch is over, you're nowhere close to the end of the day, and you sort of wish you could pull a George Costanza and put a mattress under your desk and take a nap for awhile.  You WANT to be productive, but you just can't bring yourself to it. 

It all started yesterday, when I finished a painting I had just labored through.  I mean labored.  I picked the photo, the size, the palette, everything, so nothing was forced.  Until I started painting it.  At first all was good and moving along, but slowly it morphed and then quickly spiraled downward.  The brush just didn't flow, I lost patience, forced my way through it, and a week later, I am staring at it thinking how I never want to look at it ever again.  If I were the guy in The Far Side cartoon and my painting were the headless cow, I would have painted a chicken head on it.


While I don't especially want to even post the picture above, I think it's only fair to show you at least what I was attempting, when it was about halfway complete.  The final product is now hidden away in a dark closet.

So what now?  I put down the base layers for two new paintings, but both are still wet and therefore untouchable.  I could start another, but I'm stuck.  I don't know what I want to move onto and paint next.  What do I paint next?!  And I could just pick up a brush and just choose something, but I can't bring myself to it.  And I don't know why!  I just don't feel like it!  Argh!  Thus, artist's block.

My mom, full of sage advice, suggested I do something that totally refreshes my mind, even if it's a guilty pleasure (in the corporate world, this is called Facebook, or in some cases, Starbucks).  Being that I work by my lonesome, I decided that maybe I would take a little time and sit outside, since I love summer and sunshine.  It was great.  That is, until a massive yellow jacket saw me.  I am pretty convinced that most yellow jackets recognize humans as "those things that drink soda," and then wait for the opportunity to crawl into the can undetected, unbeknownst to said human.  Being that I don't really drink soda, we had a standoff for a couple minutes.  I thought I was fine, until I looked down at my seat and realized that a fuzzy spider had decided to make his webby home on the arm of the chair.  He was all curled up, and I could tell he was as bothered at my presence as I was at his, given that we had invaded each others rightful space. 

With that I decided to go ahead inside, and channeling my inner Abraham Lincoln (known for his "hot letters," emotional notes addressed to those he was upset with that he would never send), decided to put words to my frustration with my canvas.  I think when I started painting full-time, I assumed I would be constantly nose-to-canvas, hand-to-brush, no room for a tired mind or body, or creating anything less than a masterpiece.  Now I realize that it's not quite like that all the time, and that's okay, and part of the process.  

And when all else fails, make a hot letter.  Indoors, of course.

Artist friends, do you get artist's block?!  And to the rest, what gets you blocked sometimes?!





Monday, July 15, 2013

Wentworth Gallery: Elena Bond Show

In addition to painting, I love appreciating good art.  So this past Saturday, I had the pleasure of attending a show at Wentworth Gallery in Tysons Galleria for Elena Bond, a beautiful palette knife artist based in Miami, Florida.  Elena works on both canvas and paper, and her subjects range anywhere from colorful, rainy street scenes to beautiful ballerinas (her youngest daughter is a dancer).  I personally love her work because she uses color impeccably well to evoke emotion and her paintings just transport you.  And to top it all off, she is just incredibly kind as I inundated her with questions about her process as an artist and she answered everything gladly.  It was such a joy and made my weekend!  Here are a few pictures below of the show, I hope you enjoy!  And if you're in Tysons Galleria, be sure to check out her works at Wentworth Gallery, located on the third level near Neiman Marcus.  It is not to be missed!

Elena (left) and I with one of her beautiful ballerinas.  I love the contrast of the red against the neutral background.  This particular piece was painted on paper and was (not surprisingly!) sold to a couple that night.  


So many pieces to admire.  On the easel is one of her gorgeous street scenes.


My dear friend Natrisha and I picking Elena's brain.  Her disposition is just as gorgeous as her paintings, what a wonderful artist!


Okay so in the studio, I am continuing a study of paintings of the Capitol.  Below you can see the base layers for both...one a very light blue, the other a very warm sunset.  Two very different backgrounds for similar subject matter, you have to love DC for its diverse weather!


Stay tuned to see the final product!